On the other hand, only Melodyne can flatten vibrato (i.e. The pencil tool is very cool and surprisingly, can be used in decent amounts without audible artifacts. I know only Revoice has the pencil tool, which I can see becoming indispensable in my workflow. I've only had the time to demo Revoice 4 Pro and notwithstanding the learning curve and some UX/UI issues, let me just say I was very impressed.
#VOCALIGN PRO 4 & IZOTOPE MANUAL#
Can Melodyne be used for manual de-essing as nicely as Revoice (by just dragging unpitched elements down)?Ĥ.From what I understand, tuning the lead vocal track and use its pitch as a guide (in variable amounts) for automatically pitching the dubs is NOT possible in Melodyne 4? How good is Melodyne in automatically detecting and weeding out non-pitched elements? In Revoice I'd say it works phenomenally well (I regularly encountered artifacting with sss's in Nectar 2, none in Revoice).ģ. Which version of Melodyne 4 would I need feature-wise to be somewhat on par with Revoice Pro 4? Melodyne Studio or Editor? What would I gain, what would I lose - feature-wise? And is it worth it spending hundreds of dollars on Melodyne 4 now, assuming that Melodyne 5 must be right around the corner?Ģ. With both Revoice 4 Pro and Melodyne 4 having some tempting discounts right now (Revoice intro offer, Black Friday), I'm sort of in a hurry to decide which one to go with.
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